Menu principale:
Vocal MusicUlissefor: mezzo-soprano and orchestra Text: Umberto SabaDate of Composition : June 2000Duration: 12'_____________________________________________________________________________Silenti Città(Silent Cities)for: mezzo-soprano, piccolo, 2 flutes, 3 violins, 2 cellos, double- bass and piano Text and Music: Alessio EliaDate of Composition: January -July 2001 Duration: 10'_____________________________________________________________________________L'Eternitéfor: mezzo-soprano and ensemble Text: Arthur RimbaudDate of composition: 2011(Orchestral version: 2013)Duration: 7'_____________________________________________________________________________5 frammenti da -La Volontà di Potenza - (5 fragments from – The Will to Power -) for: singer soloists, 5 chorus and large orchestraFragm. no. 7 -41 - 47 - 19 - 81 from "The Will to Power" by F. Nietzsche Date of Composition: June 2003 -January 2004 Duration: 25'_____________________________________________________________________________Laudamusfor: mezzo-soprano and piano Date of Composition: May -July 2003 Duration: 5'Première: 20 March 2005. Auditorium of Cesano City. Cesano.Ilaria Piccin, mezzo-soprano Alessio Elia, piano_____________________________________________________________________________Illusionsfor: soprano and sax soprano, on no textCommissioned by "Duo Saxopran". CopenhagenDate of Composition: July 2007 -September 2008 Duration: 8'_____________________________________________________________________________An Unexpected Indifferencefor: mixed chorus (SATB)Commissioned by: Norwegian Academy of MusicDate of Composition: 2010Text by: HoratiusDuration: 6'Première: 21st May 2010. Levinsalen, Norwegian Academy of Music.Choir of The Norwegian Academy of Music, Oslo.Alessio Elia, conductor._____________________________________________________________________________Credofor: two mixed chorus and string orchestra [choir 1: 4 S / 4 A / 4 T / 4 B (minimum) // choir 2: 4 S / 4 A / 4 T / 4 B (minimum) // string: 2 2 2 2 1 (minimum)]Date of Composition: 2014-2015 Text by: Symbolum apostolorum VI p. C.n.Duration: 10'Première: 29 March 2015. Heilig-Geist- Kirche Mannheim, within Konzert zur Nacht. Motettenchor MannheimImpronta EnsembleAlexander Niehues, conductor_____________________________________________________________________________Voynich Emblematafor: mixed chorus and ensemble [choir: 8 S / 8 A / 8 T / 8 B // ensemble: 1 fl. / 1. ob. / 1. cl. / 1 hn. / 1 bs. / 1 perc. / pf. / 1 d.bs]Date of Composition: 2014-2015 Text: excerpt from the folio 99v of the Voynich manuscript.First employment of the Voynich manuscript text.Duration: 15'_____________________________________________________________________________Voynich Lied -Ai Prigionieri for: soprano, trumpet, piano.Date of composition: 2016Text: excerpt from the folio 99v of the Voynich manuscript.Duration: 8'Première: 1 June 2016. Hungarian Radio Studios -Márványterem. ArTRIUM 2016 V/5 concert series of Bartók Radio. Live broadcasted by Bartók Radio.Adrienn Miksch, sopranoTamás Pálfalvi, trumpetKrisztina Fejes, piano_____________________________________________________________________________Incantesimi di Merseburgfor: 16-part soloist mixed chorus (SATB) Date of composition: 2019Text: the two Enchantments of Merseburg (Old German)Duration: 14'Première: 21 February 2020. Gesellschaft für Neue Musik Mannheim.Kammerchor Stuttgart. Frieder Bernius, conductorCommission of Kammerchor Stuttgart_____________________________________________________________________________Outskirts of Matterfor: countertenor (baritone), accordion, piano, trombone, 2 violins con scordatura, cello con scordatura.Date of composition: 2020Text: Alessio EliaDuration: 12'Première: 15 December 2020. Arnold Schönberg Center. ViennaAlois Mühlbacher, counter-tenor/baritoneEnsemble Wiener Collage (soloists and members of the Wiener Philharmoniker)René Staar, conductorCommissioned by Ensemble Wiener CollageDedicated to: Cecily BrownThe piece is inspired by the gospel of Mary Madgalene