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Eßlinger ZeitungAbout the première of Incantesimi di MerseburgKammerchor StuttgartFrieder Bernius, conductor25.02.2020And when else do you hear clusters of such density, sensuality and precision? In Alessio Elia's premiered "Incantesimi di Merseburg" - settings of two late pagan spells - everything is required together in the almost absurd extreme. Elia combines up to seven different tuning systems (such as well-tempered, pure or meantone tuning), even for the highly trained soloists this can only be managed with special tuning forks. The result is iridescent complexes of sound, persistent agglomerations, evocative and surreal: truly a magic of the inner transformation of the sounds.© Martin Mezger - Esslinger Zeitungclick here for the original text in German
Interview for RAI Radio 3about Octet, recorded by I Solisti della Scalaconducted by Andrea Vitello and released in Cdby Warner ClassicsRoma30.08.2018Speaking about the work "Octet".Interview lead by Guido Barbieri.With the contribution of Fabrizio Meloni, first clarinet of La Scalaand Andrea Vitello, conductor of I Solisti della Scala.
Review of Octet for Classic VoicePaolo Petazzi"Elia gode della stima del collega Peter Eötvös.Sono molto diversi, ma in comune hanno la saldezza della costruzione e la ricchezza delle aperture di ricerca.E' molto attraente la differenziazzione della scrittura nei due tempi del pezzo di Elia.""Elia enjoys the esteem of the colleague Peter Eötvös.They are very different, but in common they have the solidity of the construction and the richness of the research.The differentiation of writing in the two-movement of Elia's piece is very appealing."Click on the image to read the article
Night Italia"Alessio Elia - A certain glance"Article by Elena AbbadoFebruary 2017RomeArticle-Interview with Alessio Elia realized by Elena Abbado.Click here to read it(English)© Elena Abbado© Night Italia© Andrea Félvegi (photo)
Musica +Interview with Alessio Eliarealized by Carla Di Lena10 January 2016L'Aquilaclick here to read it (Italian)© Musica +© Carla Di Lena
Cité de la MusiqueCdmc - Centre de documentation de la Musique contemporaineConference about Elia's "Polysystemism"28 November 2014ParisSymposium "L'influence des théories scientifiques sur le renouvellement des formes dans la musique contemporaine"Coordinator: Márta GrabóczPresentation by: Laure Marcel-Berlioz and Marta GraboczAmong the Lectureres:Alessio EliaJean-Pierre LuminetHector ParraJean-Claude Rissetclick on the first image for listening to the lecture of Alessio Elia:"Polysystemism: A simultaneous employment of different tuning systems emerging from String Theory, M-Theory and Supersymmetry" by (English)click here to watch the videoclick on the second image to download the brochure (French)click here to download the complete programme of the Symposium (French / English)click here for listening to the other lectures (French)
MuzsikaThe most important Hungarian review of Classical MusicJuly 2014BudapestCritic and review by Szabolcs Molnárabout "Trasparenze"orchestral piece commissioned by Rádio Bartókand performed at Studio 6 of the National Hungarian Radio byThe National Hungarian Radio Orchestra withLászló Tihanyi as a conductorclick on the images for reading the article in Hungarianclick here for the English translationclick here for the Italian translation© Szabolcs Molnár© Andrea Félvegi (photo)© Muzsika 2014